Treelady Mastering has been retained to re-master the Silencer’s
Mixed by Bob Clearmountain at the legendary Hit Factory, the original release came out on CBS Records. The Silencers recently regained publishing rights for the release. The original quarter-inch analog mix master provided the source for mastering.
Senior Engineer Rae DiLeo has been working on re-mixes of Soundgarden and Bob
Treelady Studios Chief Mastering Engineer Garrett Haines is featured on Sweetwater Sound’s web site.
Treelady Mastering recently conducted an analoge transfer of the Nirvana master tapes for the INCESTICIDE album. The project for Universal Music Group was recently completed in preparation for future release and or remix projects. Specific details and dates are not available at this time.
The original recording was released on DCG Records (owned by Universal Music Group), and featured producers: Miti Adhikari, Jack Endino, Steve Fisk, Dale Griffin, Butch Vig.
PITTSBURGH, PA – Platinum Selling and Grammy Winning Engineer Rae DiLeo has joined the team at Treelady Studios. Mr. DiLeo he has earned multiple Platinum/Gold RIAA awards and a Grammy for his work with Henry Rollins. Some of his credits include the X-Files movie soundtrack and several music groups including Filter and Veruca Salt, Army Of Anyone (Stone Temple Pilots Side Project), and Billy Idol. He recently located to the Pittsburgh area as part of Iron Mountain Film and Sound management.
A profuse mixing engineer, DiLeo’s credits include hundreds of major label and independent releases. He has also worked on 30 (and counting) tracks for Guitar Hero and Rock Band games, as well as the Pepsi Commercial (The Who-My Generation). A McDSP endorsee, DiLeo will take over his own room, tentatively named Studio R at Treelady’s Pittsburgh facility.
A graduate of Berklee College of Music, Rae enrolled as a Music Composition major, but switched to Audio Production. He has lived in Boston, New York, and Los Angeles before moving to the Pittsburgh region.
Artists, managers, and bands interested in retaining Senior Mix Engineer DiLeo should contact Treelady Studios at (412) 816-0300. Additional details will be forthcoming.
Rae DiLeo in a recent McDSP web advertisement.
Treelady Studios recently completed an extensive restoration transfer and preservation project for legendary artists Tito Puente and Eddie Palmieri.
Treelady Mastering has partnered with Sonoris of the Netherlands to offer clients a custom DDP Player.
Famed author Bob Katz and Treelady Studios’ Chief Mastering Engineer Garrett Haines have coauthored a new article concerning digital clocking and jitter. The piece is a part of the team’s review of the Grimm Audio CC1 master clock, and appears in the January/February 2010 Issue of Tape Op Magazine.
Grimm Audio CC1 Digital Clock
“The last chapter in the Jitter Saga has yet to be written. But the penultimate chapter has just been written by Grimm Audio, who have challenged the most sacred concept, the commonly-held notion that internal clock always performs better than external. Digital clocking has been a hot topic among audio engineers in recent years. Someone started the idea that the built-in clocks found in most converters were poor. And it snowballed from there.” So begins the article, which not only examines the performance of the Grimm CC1, but also includes head-to-head tests of many popular converters and clocks from companies like Digidesign, Apogee, Lynx, and others.
Almost a year in the writing, the review dispels many marketing myths that surround digital clocks, and explains the benefits and trade-offs of using a central clock. In addition to testing the Grimm CC1 in their respective mastering studios, Haines and Katz sought outside ears by visiting tracking studios and doing double-blind shoot outs with the Grimm and other brand gear.
Bob Katz, owner and Chief Mastering Engineer at Florida-based Digital Domain, is the author of Mastering Audio: The Art and the Science (Focal Press), a book that is widely considered one of the best resources on the topics of contemporary digital audio and audio mastering. 
Mastering Audio is available at Amazon.com, at the author’s website, and at fine booksellers everywhere. Garrett Haines is the Chief Mastering Engineer at Treelady Studios and a Senior Contributor at Tape Op Magazine.
SCOTTS VALLEY, CALIFORNIA – The Universal Audio Product Catalog for 2010 is now available for download and in print form from select vendors.
Founded in 1958 by Bill Putnam Sr., the Universal Audio name has been synonymous with innovative recording products since its inception. A favorite engineer of Frank Sinatra, Nat King Cole, Ray Charles and more, the late Bill Putnam Sr. was a passionate innovator who is widely regarded as the father of modern recording — with many of his legendary studio and equipment designs still in use today.
Universal Audio was re-founded in 1999 by Bill’s sons, James Putnam and Bill Putnam Jr., with two main goals: to faithfully reproduce classic analog recording equipment; and to design digital recording tools in the spirit of vintage analog technology.
The new catalogue features quotes and endorsements from many of the top names in the industry, including: Bob Clearmountain, Producer/Engineer (Bruce Springsteen, Rolling Stones), – Joe Chiccarelli, Producer (Beck, U2, Blackbird Studios), – Darwin Grosse, Review (Recording Magazine, DDG Studios), – Michael Cooper, Review (Mix Magazine and Cooper Recording), Al Schmitt, Engineer/Producer (Jackson Browne, Dr. John, Diana Krall), Bruce Swedien, Engineer, (Duke Ellington, Michael Jackson, Jennifer Lopez), – Dweezil Zappa, Guitarist (Zappa Plays Zappa, Utility Muffin Research Kitchen Recording Studio), – Garrett Haines, Review (EQ Magazine, Treelady Studios), – John Cuniberti, Engineer (Joe Satriani, The Meters, Cuniberti Mastering), and – Paul White, Review (Editor of Sound on Sound).
Treelady Studios is proud to be a sponsor of the 2010 105.9 FM WXDX Radio / Hard Rock Cafe Winter Rock Challenge IV. Come support local music at the Hard Rock Cafe at Station Square. Bands have been selected and will play through a serious of rounds in February, leading up to the March Finals.
The Schedule is as follows:
THE FOUR WINNING BANDS FROM THE SEMI-FINALS COMPETE FOR THE TOP HONOR